Richard Wagner’s last opera, “Parsifal,” is based on the medieval story of a young Welsh knight who glimpses the Grail in the castle of its guardian. Eliot’s “The Waste Land.” In movies, it’s been pursued by Indiana Jones and lampooned by the Monty Python troupe. In literature, the search for the Grail has inspired imaginations for centuries, from the sagas of King Arthur to T.S. The Grail could simply be an artifact of language that’s still familiar today: a metaphor for a quest in which only the most clever and steadfast can succeed. Or it could be, some scholars suggest, nothing at all. Others have described it as a kind of Holy Spirit that bestows wisdom and revelation. In some, the Grail is a stone that fell from heaven and has mystical powers. The most enduring Grail image is as a vessel - perhaps a chalice - held by Christ at the Last Supper and later used to catch his blood during his final hours.īut the stories also soar off in many other directions. Since the Holy Grail became part of the popular Christian imagination in the Middle Ages, it’s taken an array of forms.
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